Nobody In The Boat

The Taoists have a famous teaching about an empty boat that rams into your boat in the middle of a river. While you probably would not be angry at an empty boat, you might well become enraged if someone were at its helm.

The point of the story is that the parents who did not see you, the other kids who teased you as a child, the driver who aggressively tailgated you yesterday – are all in fact empty, rudderless boats. They were compulsively driven to act as they did by their own wounds, therefore they did not know what they were doing and had little control over it.

Just as an empty boat that rams into us is not targeting us, so too people who act unkindly are driven along by the unconscious force of their own wounding and pain.

Until we realize this, we will remain prisoners of our grievance, our past, and our victim identity, all of which keep us from opening to the more powerful currents of life and love that are always flowing through the present moment.

Zen Story : Right and Wrong

When Bankei held his seclusion-weeks of meditation, pupils from many parts of Japan came to attend. During one of these gatherings a pupil was caught stealing. The matter was reported to Bankei with the request that the culprit be expelled. Bankei ignored the case.

Later the pupil was caught in a similar act, and again Bankei disregarded the matter. This angered the other pupils, who drew up a petition asking for the dismissal of the thief, stating that otherwise they would leave in a body.

When Bankei had read the petition he called everyone before him. “You are wise brothers,” he told them. “You know what is right and what is not right. You may go somewhere else to study if you wish, but this poor brother does not even know right from wrong. Who will teach him if I do not? I am going to keep him here even if all the rest of you leave.”

A torrent of tears cleansed the face of the brother who had stolen. All desire to steal had vanished.

Ensō

Ensō (円相) is a Japanese word meaning “circle” and a concept strongly associated with Zen. Ensō is one of the most common subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolizes absolute enlightenment, strength, elegance, the universe, and the void; it can also symbolize the Japanese aesthetic itself. As an “expression of the moment” it is often considered a form of minimalist expressionist art.

In Zen Buddhist painting, ensō symbolizes a moment when the mind is free to simply let the body/spirit create. The brushed ink of the circle is usually done on silk or rice paper in one movement (Bankei, however, occasionally used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists “believe that the character of the artist is fully exposed in how she or he draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Some artists will practice drawing an ensō daily, as a kind of spiritual practice.”[1]

Some artists paint ensō with an opening in the circle, while others complete the circle. For the former, the opening may express various ideas, for example that the ensō is not separate, but is part of something greater, or that imperfection is an essential and inherent aspect of existence (see also the idea of broken symmetry). The principle of controlling the balance of composition through asymmetry and irregularity is an important aspect of the Japanese aesthetic: Fukinsei (不均斉), the denial of perfection.

The ensō is also a sacred symbol in the Zen school of Buddhism, and is often used by Zen masters as a form of signature in their religious artwork. For more on the philosophy behind this see Hitsuzendo, the Way of the Brush or Zen Calligraphy.

The ensō has also been co-opted as an advertising symbol by various companies, notably Lucent. No longer used since the Alcatel merger, the logo was often jokingly referred to as the “coffee cup ring”.